The piece begins with enigmatic interferences suffused by modified ambiences, like the sound of dozens of typewriters sped up first, then gradually set together in a relentless rhythm that makes them appear as a frightening machine ready to mangle the hands of those who try to operate it. Echoing disturbances and computerized transformations succeed in constantly changing dynamic units, but the progression sounds consistent and coherent. At the halfway point, an ominous unfathomable thrum becomes the exclusive focus, only to instantly be silenced and pushed off spotlight in favour of a hasty cut-up of female voices morphing into total incomprehensibility, the whole generating hallucinogenic effects as the millions of fragments become a single flood of electroacoustic data, preferably warped and in rapid revolution. The conclusive section starts with something apparently deriving from nature – maybe water, maybe wood, who knows – shifting the balance of the composition back to tiny ticks and overwhelming buzz, until the abrupt end. Fresh stuff, worthy of your attention.
Reviewed by Massimo Ricci
www.touchingextremes.org
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